2011. december 4., vasárnap

BIEFF 2011 Experimental Film Festival

November 17 és 20 között rendezték meg Bukarestben a BIEFF 2011 nemzetközi experimentális filmfesztivált, melyen ott volt a mester, Peter Greenaway is. Most a nyitógálára készített háttérképei mellett a fesztivál reklámját, az eseményről készült összefoglalót és néhány film beharangozóját is megnézhetjük.
Akit érdekelnek a részletek, a http://www.bieff.ro/index.php/en oldalon csemegézhet.
(VJL(ab))
LUPERPEDIA Peter Greenaway Vj Performance Bucharest Sala Polivalenta // BIEFF 2011 Opening Gala from Experimental Film Festival on Vimeo.


BIEFF 2011 _ makingof 17.11.2011 from Experimental Film Festival on Vimeo.


BIEFF 2011 _ makingof 18.11.2011 from Experimental Film Festival on Vimeo.


Tango Finlandia (trailer) // BIEFF 2011 from Experimental Film Festival on Vimeo.
Bucharest International Experimental Film Festival (BIEFF) 2011
We enjoy your love for total creative freedom & lack of compromise cinema!
'Tango Finlandia' (6', 2007, Finland, Hannu Lajunen & Tomo Riionheimo)
BIEFF 2011 Tampere Film Festival 2011
Bucharest Premiere
A dance-evening in the local bar somewhere in the Finnish peripheria. Lonely people come there to find joy. There are not that many customers but the hot and passionate tango-rhythms take all of them to the dance floor. This film is a testosterone raw ride, a loaded action movie musical about sweaty Finish men. It premiered at Tampere 2007 in competition and it was screened in over 80 film festivals all over the world.
Tampere Film Festival 2007 - Finnish competition
Reanimacja, Lodz, Poland 20-22.4.2007 - panorama
MO & FRIESE KinderKurzFilmFestival Hamburg, Germany 03. - 10. Juni 2007 - competition
Bronx Independent Film Festival, New York, USA 29.-30.6.2007
Anima Mundi - Rio de Janeiro & Sao Paulo Brazil, 29.6.-15.7.2007 - short film competition
Mostra Lambda, Barcelona, Spain 5.-12.7.2007
Blue Sea Film Festival, Rauma, Finland 16.-19.8.2007 - competition
Queer Lisboa - 11th Lisbon Gay and Lesbian Film Festival, Portugal 14.-22.9.2007 - competition
TINKLAI International Short Film Festival, Vilnius, Lithuania, September 2007
Queerfilm, Bremen, Saksa 9.-14.10.2007
Hamburg International Lesbian and Gay Film Festival, Saksa 16.-21.10.2007
Lesbian and Gay Film Festival Hanover, Germany, 23.-28.10.2007
KROK International Animated film Festival, Ukraina 25.9.-6.10.2007 - competition
Molodist, Kyiv international film festival, Ukraine, 20.-28.10.2007
Sacramento International Gay and Lesbian Film Festival, October 11-13, 2007


How to Pick Berries / Miten marjoja poimitaan (trailer) // BIEFF 2011 from Experimental Film Festival on Vimeo.
Bucharest International Experimental Film Festival (BIEFF) 2011
We enjoy your love for total creative freedom & lack of compromise cinema!
BEST CINEMATOGRAPHY AWARD, offered by KODAK // HOW TO PICK BERRIES (2010, Finland, Elina Talvensaari)
Jury motivation: "The jury decided to give the Award for Best Cinematography to the film "How to pick berries" for the courageous and imaginative way in which the director uses powerful images to show the reality of global economy versus human nature. It is remarkable how the gradation of the visual exercise builds up a powerful mental reaction.This fillm at the border between documentary and science-fiction has a strong imaginative impact."
http://bieff.ro/index.php/en/about-us/awards
'How to Pick Berries' / 'Miten marjoja poimitaan'( 19', 2010, Finlanda)
BIEFF 2011 International Competition
BIEFF 2011 Tampere Film Festival 2011
Economy is stranger than fiction. Visitors from a distant place appear in the misty swamps of Northern Finland. As harmless as they are, their foreign presence unwittingly disrupts the pace of local habits. They have come to look for berries, an activity that all of a sudden seems to embody all the values of local culture. Who is to blame and where do the profits end up? 'How to Pick Berries' is an exploration of Finnish mind and the absurdities of global economy.
Best Documentary Award - Tampere ISFF 2011
Venice IFF Orrizonti 2010
San Sebastian IFF 2010- International Film Student Meeting Awards, 2nd prize
IDFA Amsterdam 2010
Golden Mikeldi Award for Documentary - Bilbao 2010
MOMA - Museum of Modern Art New York 2011
Prémio RTP2 Onda Curta - Indielisboa 2011
Centre Pompidou Paris 2011
Best musical Creation Award - Premiers Plans IFF Angers 2011
DocPoint Helsinki 2011
Recontres Henri Langlois, International Film Schools Festival Poitiers 2010
DOCAVIV IDFF 2011
London IDFF 2011


Monday Morning (trailer) // BIEFF 2011 from Experimental Film Festival on Vimeo.
Bucharest International Experimental Film Festival (BIEFF) 2011
We enjoy your love for total creative freedom & lack of compromise cinema!
'Monday Morning' (12', 2011, Romania, Eva Pervolovici)
BIEFF 2011 International Competition
World Premiere
The story of a couple whose attraction is running dry. As he heads to work in the morning, she lets herself devoured by fantasies and nightmares.
"Monday Morning" it's about visual collage, about mixing different formats: the same couple shot in 2007 on Super16 (for "My Undone School Films") and in 2011 on 5D, in totally different cinematographic contexts. Adding to this it's the collage of sounds, as sound becomes a third character.
 http://bieff.ro/index.php/en/monday-morning


Mirror (trailer) // BIEFF 2011 from Experimental Film Festival on Vimeo.
Bucharest International Experimental Film Festival (BIEFF) 2011
We enjoy your love for total creative freedom & lack of compromise cinema!
'Mirror' (2', Romania, 2011, Irina Ghenu)
BIEFF 2011 International Competition
World Premiere
“Mirror” is an experimental fiction film that tells the story of a girl who gets scolded by her boyfriend for being pregnant.
In Romania, an old legend says that pregnant women who can't or won't identify the child's father are witches and are to be handed to a priest to perform an exorcism. If that fails, they will be executed.
http://bieff.ro/index.php/en/mirror


Faust (trailer) // BIEFF 2011 Closing Gala from Experimental Film Festival on Vimeo.
Bucharest International Experimental Film Festival (BIEFF) 2011
We enjoy your love for total creative freedom & lack of compromise cinema!
'Faust' (134', Russia, 2011, Aleksandr Sokurov)
"Forget Marlowe, Goethe, Gounod and Murnau, or rather, lay them aside, since the idiosyncratic helmer adds his own spin on the classic legend, and an over-familiarity with Faust's previous incarnations will likely hinder understanding." ("Variety", Jay Weissberg)
"Faust raises the power stakes to an epic struggle between a man who thirsts for intellectual dominion and the Devil himself. The expressionistic filmmaking lets loose in an idiosyncratic style of chaotic slapstick, in which frenetic theatrical acting contrasts with deformed visuals that can barely contain the actors." ("The Hollywood Reporter", Deborah Young)
"The world of Sokurov's film is aggressively corporeal. This world hurts and stinks like the human body. Even hell's emissary suffers here from indigestion. A gynaecological examining table resembles a rack, surgical forceps are reminiscent of instruments of torture, and death takes the shape of coffin stuck in a passageway and melted in the heat. Sokurov resurrects the figure of Faust's father, a character that had already appeared in Goethe's tragedy: he is a healer and a bonesetter who has dispatched a fair number of honest folk to kingdom come. Medicine cannot be distinguished from poison, a snack from a funeral feast. 'Everything fleeting is only a stench,' says the new Faust, paraphrasing Goethe's lines." ("Séance", Mikhail Yampolsky)
Sokurov's "Faust" is not a film adaptation of Goethe's tragedy in the usual sense, but a reading of what remains between the lines. What is the colour of a world that gives rise to colossal ideas? What does it smell like? It is stuffy in Faust's world: earthshaking plans are born in the cramped space where he scurries about. He is a thinker, a mouthpiece for ideas, a transmitter of words, a schemer, a daydreamer. An anonymous man driven by simple instincts: hunger, greed, lust. An unhappy, hounded creature that issues a challenge to Goethe's Faust. Why stay in the moment if one can go further? Further and further, pressing forward -- not noticing that time stands still. And you shall pass, too.
http://bieff.ro/index.php/en/films/closing-gala

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